科技／AI 视频制作 · 动效设计
Tech & AI Video Producer / Motion Designer
7 年内容制作经验 · 多次百万播放
7 years creating content · Multiple million-view videos
用反常识钩子切入，串联原理、资料与操作建议；独立完成全片。
An independently created explainer connecting a counterintuitive hook, mechanisms, sources and practical advice.
用纸箱替代清单与待办，完成视听脚本和场景化动画。
Audiovisual scripting and staged animation, using cardboard boxes to represent lists and tasks.
独立完成文案、钩子与动画，以破解时间的巨大反差引出好奇心。
Independently written and animated, with an opening hook built around contrasting cracking times.
把“一条消息怎么走到你手机上”这种抽象流程，做成看得懂的节点和路径。
Turning an abstract path — how one message reaches your phone — into legible nodes and routes.
“输入进去，输出出来”——把模型的黑箱画成一条能跟得上的流水线。
“In goes this, out comes that” — the black box drawn as a pipeline you can follow.
以“数字幽灵”为意象，呈现个体被平台增长逻辑重新塑形的处境。
Digital ghosts as a metaphor for individuals reshaped by the logic of platform growth.
以“登山游戏”为隐喻，探讨系统增长与个人理想之间的张力。
A metaphorical climbing game exploring the tension between systemic growth and personal ambitions.
报纸、手、老键盘——用实物质感替代常规 UI 动效，让“工具”这件事有温度。
Newspaper, hands, an old keyboard: physical texture instead of UI motion, so “tools” feel human.
一个方块、一条线、几个箭头，把“系统之间怎么说话”讲到不用看第二遍。
One box, one line, a few arrows — systems talking to each other, clear on first watch.
专注科技与 AI 内容，覆盖策划、脚本、剪辑、动效与后期。团队项目与独立创作均有多次百万播放；将 AI 与自动化融入内容研究和制作，持续构建自己的工具与方法。
I create technology and AI content, from planning and scripting to editing, motion and post-production. My team projects and independent work include multiple million-view videos. AI and automation are part of my research and production workflow.
全职远程 / 项目合作 · 每周 40 小时 · 位于 UTC+8，工作时段可协商调整
Remote full-time / project work · 40 hours per week · Based in UTC+8; working hours negotiable
异步协作 · 中英文书面沟通
Asynchronous collaboration · Written communication in Chinese & English
全职远程或项目合作，欢迎发来岗位信息、项目方向，或者简单打个招呼。
Open to remote full-time roles and project work. Send a job description, a project idea, or just say hello.
这段作品围绕“系统、困住与自由”展开。主题从席勒《审美教育书简》对人的碎片化的反思出发：当一个人长期被限定在整体的一小部分里，职业与分工也可能逐渐成为他理解自己的全部。
This piece explores systems, confinement and freedom. Its theme draws on Schiller’s reflection on human fragmentation in Letters on the Aesthetic Education of Man: when a person is confined to a small part of a larger whole, their role can come to define their entire sense of self.
内容呈现了两种落差：个人带着理想进入系统，却被要求适配成某种功能单元；系统又不断追求增长，让个人持续加速、提高效率，却始终难以抵达一个稳定的终点。
The narrative considers two tensions: people enter systems with personal ambitions, yet are shaped to serve a specific function; the same systems demand continual growth, asking people to accelerate without offering a lasting finish line.
“登山游戏”是对这种处境的比喻——每当接近目标，新的高度又被设定。作品借此追问：当增长没有尽头，个人如何面对理想、行动与自由之间的关系？
The “climbing game” is a metaphor for this condition: each time a goal comes within reach, a higher one is set. The piece asks how individuals can relate their ambitions, actions and freedom to a demand for growth with no end.
这段作品延续“登山游戏”的主题，将视角从个人转向平台化社会：品牌将商品包装成生活方式，平台将点击、收藏、分享和购买转成数据，数据又反过来参与塑造生产与消费。
This piece extends the “climbing game” from individual experience to platform society. Brands present products as lifestyles; platforms turn clicks, saves, shares and purchases into data, which in turn shapes production and consumption.
在这套叙事中，人逐渐被抽象为劳动单元、算力单元与数据单元。系统关注的是节点能提供什么，而个体的经历、感受和欲望则容易被压缩到角色之外。“数字幽灵”是对这种处境的视觉隐喻。
Within this narrative, people are reduced to units of labour, computation and data. Systems focus on what each node can provide, while individual experience, feeling and desire recede. The “digital ghost” is a visual metaphor for this condition.
当跑步变成里程、阅读变成收益、旅行变成打卡，原本属于生活的体验也可能被同一套增长尺度衡量。作品将这种逻辑称为“数据宗教”，追问：当效率与增长成为唯一的评价标准，个人如何保留完整的自我？
When running becomes mileage, reading becomes return on investment and travel becomes a check-in, lived experience can be judged by the same measures of growth. The piece calls this logic a “religion of data” and asks how individuals can preserve a whole sense of self when efficiency and growth become the only standards.